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Electric power windmills waiting for the wind in eastern Washington, USA
waiting for the wind - eastern Washington, USA

©2008 Ed Book

'just ran across this on the laptop I had with me on an autumn foray to the east of the state. Sometimes, I work some images instead of sleep while on Phot Expds...


Peace


ps Thanks WAW aka Zancro

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Ohanapecosh autumn rain ©2006 Ed Book (all rights reserved - DO NOT COPY)   http://edbookphoto.com

©2006 Ed Book

camera motion––not a Photoshop effect.

Peace

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Green Forest digipainting Anderson Landing Preserve, Kitsap Peninsula, Hood Canal, Puget Sound, WA ©2006 Ed Book (all rights reserved - DO NOT COPY)   http://EdBookPhoto.com
Anderson Landing Preserve - Kitsap Peninsula/Hood Canal/Puget Sound -Washington       ©2006 Ed Book


On the way home from an appointment in town, I stopped by Anderson Landing Preserve to walk a little and scout for some compositions carrying the Pentax S40 in my pocket vice the Canon system and pack...

While concentrating on making an image, a gentle voice startled me, I hadn't seen or heard someone approach. It was a nice lady who lives nearby out also for an evening walk and gliding along the trail, she didn't want to startle me.

I introduced myself and asked if I might include her in an image of the trail. I told her that I'd send her a photo if she found me via google or whatever 'didn't have a card or model release in my pocket like I do in the pack that I wasn't carrying... here she is continuing her walk...



Peace

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repost

aspen trunks  ©1992 Ed Book (all rights reserved - DO NOT COPY)   http://edbookphoto.com
Aspen          ©1992 Ed Book


Peace

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fuchsia macro digipainting  ©2005 Ed Book (all rights reserved)   http://edbookphoto.com
Fuchsia ©2005 Ed Book


Peace

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reposted from HERE
oak autumn at mesa verde national park, CO digital painting ©2000 Ed Book   http://edbookphoto.com
Mesa Verde oak in autumn - Mesa Verde National Park, Colorado


Peace

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waterfall ©2005 Ed Book   http://edbookphoto.com


Peace

ps yeah, it's a digital painting

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heron digital painting ©2005 Ed Book http://edbookphoto.com


some dancing with photoshop from a digital camera capture

Peace

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a digital painting of Admiralty Lighthouse at Camp Casey on Whidbey Island in Puget Sound.

Peace

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Nosmo King fishing boat hauled out at Seabeck (c)1977


'on keeping with no snow posting today... I made this photograph almost 27 years ago about five miles from here at Seabeck Bay. A fishing boat had been purposely run aground so the bottom could be scraped free of barnacles and other clingy stuff... I happened along that morning after a long and hyper night shift at the shipyard doing some very noisy and high energy steam safety valve testing on one of the nuc ships. I was too wired to go to sleep so took a drive to make some photographs. I found this scene when I was walking along the water's edge and was particularly drawn to the reddish color in the Red Alder forest... the catkins were forming as they do mid-winter every year... an early harbinger of spring.

I should mention that this image was made with a Bronica S2A medium format camera with some unremembered print film. A printed version was displayed on the wall for many years and then thinking it beyond it's photograph life from fading, I removed it... later to scan on a flatbed scanner to revive the image by using it as the basis for a digital watercolor painting. Of course, it looks totally different in full size on paper... here the colors look blocky and blotchy...some things that display well on paper don't see justice in small compressed jpgs...

Peace

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0210210413 foggy meadow near the MTTA yurt  ©2002Ed Book


I made this image early one foggy morning while I was waiting for the MTTA volunteers to arrive for the yurt work party where we replaced the wall. The meadow is bounded by a new forest of Grand Fir. The majority of the meadow is soggy recently having been a marsh. I had to walk on fallen logs to keep from sinking into muck under the grasses. I thought the original image was too busy so I used some Photoshop magic to reduce detail and paint in edges. The fog was swirling and thin in places so in the distance the fog looked bluish on film. I reduced the saturation of the blues and took advantage of the warm hues introduced by the 81A warming filter I used on the camera. Also using a polarizer helped bring out the color of the grasses. The nice greens of the trees is to the credit of the Velvia film I used. Camera: Nikon F4, Lens: 75-300mm, feet: wet...

Peace

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0210210403 deep grasses in a meadow near the MTTA yurt © 2002 Ed Book


Camera: Nikon F4 Lens: 75-300mm with polarizer, film: Velvia, attitude at time of exposure: excellent (of course), Computer manipulation: digital painting from film scanned by Nikon LS-2000 film scanner, attitude now: sleepy

Peace

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otherwise know as a Larch... they are a decidious conifer (their needles turn yellow in the autumn and then drop them and go dormant over winter and in the spring their soft green needles explode with new life.

They grow in the mountaine region and in the autumn put a splash of yellow into the sea of green conifers.

When a fire burns the forest, all the conifers that lose their needles die and the Tamarack goes dormant till spring when it returns with new life... because they can do this, they can grow a long time compared to their neighbors and reach heights of more than a hundred feet and six feet in diameter... BBT (Big Beautiful Trees)

digital watercolor detail of a branch

digital watercolor Tamarack

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These are digital camera images because my film is on its way to Photo Craft Labs in Boulder, CO for processing. I won't see it till next week. I wanted to post images of my experience along the Klickitat River Canyon but didn't have much luck with the digital camera because I was concentrating on my film camera but I did make some exposures so I could share them here right after the trip. These are Garry Oak and although I did find some with good color, for the most part, the color was a bit drab from the extremely dry summer and autumn.

Garry Oaks autumn



Photoshop painted Garry Oak


This image illustrates a corollary to Fudd's first Law of Opposition (Fudd's Law: If you push something hard enough, it will fall over)(I didn't learn this in school, I learned it from a Firesign Theater concert record.) the corollary in effect here: If you Photoshop something enough, it will break-get ugly...


Photoshop painted Garry Oaks


Photoshop painted a tiny bit Garry Oaks


my advice... don't mess with Photoshop when you should be sleeping... just wait for your film to come back...

Peace and sweet dreams

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Two years ago, we went to Colorado for autumn photography and one morning when we woke in our van on Grand Mesa, we were greeted by snow and bugling elk.

I made photographs throughout the morning along the Curicanti Canyon as the snow melted and then we found the elk that were serenading us. They were across the valley and too far to photograph but we watched a while through binoculars. One particularly large bull was making most of noise and was expending a lot of energy keeping his harem in line. Other lesser bulls along the fringes of the meadow kept his attention and he kept charging them to find when he returned to his harem some had wandered off. He rounded them up and others would stray. All the time, he would keep up his bellowing and charging the other males.

The canyon between us and them was steep-sided so we couldn't approach them to get into my 400mm lens range. Adding a teleconverter gave better magnifiction but cut the light level too much for decent shutter speeds. I would have loved to have had a fast 800mm lens right about then. I had to settle with images of aspen.

This is one I made with the Nikon Coolpix 990 digital camera that I just found while looking for another image on a backup CD. I haven't scanned many of the film images because I am way behind in my editing and scanning... I need a staff... I need to make enough $$ to hire a staff... I need a generous patron...

The image was marginal in it's original form so I did some levels adjustments, simplifying, finding edges, painting, and layers blending, and cloning out distractions (the road on the hillside across the valley) to get this result.

Curicanti Canyon aspen in snow, Grand Mesa, CO


Peace

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a repost of cabbage from last year:
cabbage manipulated


'must be in a cabbage sort of mood.

Peace

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I have been to Jamestown Island in Narragansett Bay, Rhode Island a few times and on this trip in '88, I saw this rowboat early one Monday morning in the glass-smooth water. It was near the road and there were a few commuters passing by on their way to work. I was already at work. I had to put my motorcycle on the center stand and stand on top of the seat to get high enough to see over the grasses in the foreground. One of the few times I didn't use my tripod. It was fairly bright so could use a fast enough shutter speed to keep the image sharp.
Camera: Nikon F4, Lens: 35-135mm, Polarizer, Film: Kodachrome Pro 25

Another version of this image that I painted in Photoshop is Here )

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digital photograph manipulated in photoshop

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This image I posted before - it's one that I said was simplified and other stuff. As an explanation to what I do when manipulating an image, I posted the second image below to show a full size section of this image that was reduced in size and jpg compressed. You see that there is a big difference in perception when viewed in different sizes... some images are done an injustice when resized and compressed.









The painterly effects that I used on this image include simplifying detail, finding edges, embossing, adding texture layers and blending layers as well as other magic. experiment experiment experiment
I printed this image large with pigment inks on watercolor paper.

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this image was made from the stone bridge that crosses Edith Creek in Paradise Valley - a digital image again with the rocks simplified in Photoshop.

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I have been to this location several times over the years to photograph the leaves on this maple against the bark of the huge douglas fir. I was there this time to record the leaves yellow against the brown bark but was too early and when I returned a few weeks later, the wind was blowing too much to get a decent image and the next day and a few days after that, my efforts were thwarted by heavy rain... sometimes I get the picture I want and sometimes something different and sometimes just meet nice folks while waiting for the wind to stop. I guess I could have been sitting in an office somewhere getting rich.
Camera: Nikon Coolpix 990 - tripod mounted - waiting for a loll in the wind - detail reduced in Photoshop

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The Anemone which has a large white flower in spring and very beautiful at that stage changes drastically when the seeds are ready to spread,,, It's also known as "mouse on a stick", "old man of the mountains" and a few other descriptive names. The background here is a heather. Camera: Nikon F4, Lens: 35-135mm with Nikon 5T aux close-up lens, Polarizer, Film: Ektachrome E100SW

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another in the series of painted monkeyflowers in the Paradise area... (a little work needed on this one yet)
Camera: Nikon F4, Lens: 35-135mm, Polarizer, Film: Ektachrome E100 VS

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in panorama format and a little lighter... different versions of the same image -- different stories to tell

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I made this digital phot from the ferry between Seattle and Bremerton when we entered Rich Passage... I couldn't decide whether to leave this as it is or crop off most of the water and make it a panorama
Camera: Nikon Coolpix 990, hand held (to hold a camera steadier while on a ferry or other boat that transmits vibrations through the deck and your body or tripod - stand on your toes and as you lower yourself to flat feet, trip the shutter... it will dampen the vibrations...) does anyone dispute this? It's my own observations and I could be wrong.

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Mount Rainier evening light from Mazama Ridge... this is a painterly rendition of a digital photograph... I love the glow in the air that bends around the mountain... So many tourists comment about the sky not being clear enough to see the top of the mountain but the mountain makes it's own weather so the clouds are part of the mountain... Often I visit the national park and never see the mountain... the area warrents national treasure status without the mountain... and yes, I vote for returning the name of the mountain to the pre English naming for someone who never saw it... The natives called it "the Mountain" or Tahoma and a few other pronunciations in Chinook Jargon.
Camera: Nikon Coolpix 990

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Paradise in the fog - I hiked up from the paradise trailhead into the fog making photographs as I went till darkness turned me back. After this image, it was too dark to make any more and keep good color... as it was, this was a long exposure but unrecorded...
Camera: Nikon F4, lens: 70-300mm, Polarizer ( to reduce shine on the wet surfaces) Film: Ektachrome E100VS

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Lupine and Shasta Daisies at Paradise - more flowers from Paradise? yes! This image another Photoshop paint... reduce detail and then heavy on the finding edges and darkening them...
Camera: Nikon F4, Lens 35-135mm, Polarizer, Film: Ektachrome E100VS

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heavy photoshop paint job increasing contrast and reducing detail...
origional phot was 35mm
Camera: Nikon F4, lens, 70-300mm, Polarizer, Film, Ektachrome E100SW

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I was at the Port Townsend Wooden Boat Festival and saw this father teaching his son to row... I liked the reflections of the boat and sky in the water and the subject matter so made some photographs. I did a lot of work in photoshop but what exactly escapes me now as most was experimental... but I remember it being a lot of effort...
Camera: Nikon F4, Lens: 70-300mm, Polarizer, Film: Fuji Sensia 100

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I found these monkeyflowers blooming along a seep near the Paradise River the end of August... What a beautiful place... It's a couple miles along the trail and about a thousand feet climb so not everyone who visits Paradise sees it... and the years that we get a lot of snow it's covered through the year... this year was an exception... and I'm glad I was there to see it... I had to return a couple times to find the flowers at their peak...
Camera: Nikon F4, Lens: 70-300mm, Polarizer, Film: Ektachrome E100VS
a little manipulation in photoshop in this version to reduce the detail and soften the image...

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